Djay 2 External Mixer
Now that iPadOS 13 has been released, Djay users can now take advantage of some great new features in the latest release. With iPadOS 13, Djay now offers support for the Files app that lets users take advantage of external media like flash drives and hard drives, there’s a new portrait orientation, and much more.
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Djay Pro 2 is the next generation of Algoriddim’s multiple award-winning DJ software with countless new features, a redesigned user interface, and advanced library management tools. Djay Pro’s unique, modern interface is built around a sophisticated integration with your music library, giving you instant access to all your favorite tracks and playlists. Mar 06, 2020 Djay Pro 2.3.2 Mac Key Features: So, Djay Pro Mac Crack gives the facility of powerful DJ user-interface. You can also use this software for Spotify integration. Hence also this software fixed various localization issues. Give your new library and mixer modes, manual deck selection, and more.
Djay 3.2 was released last week and now that iPadOS 13 is here, the latest software brings some great new features to iPad users. The biggest feature may be the Files app integration with support for external drives. It allows users to browse and load songs right from flash drives and hard drives.
That’s particularly convenient for iPad Pro users who can use USB-C flash drive or hard drive and avoid needing a dongle. The Files integration also means users can load songs from iCloud Drive.
By deeply integrating into the more advanced Files app that is part of iOS 13 and its support for external media, djay for iOS now allows browsing and loading songs directly from USB sticks and hard drives, as well as cloud services like iCloud Drive. For the first time, this allows DJs to use their extensive music libraries consisting of up to terabytes of songs directly with their iPad or iPhone in a seamless and compact setup. djay also displays the folder structure from external drives, allowing DJs to navigate their music the way they organized it.
Djay users also get a new portrait mode on iPad, new EQ shortcut button in the mixer section, and much more.
Other changes include new visuals and sound packs, haptic feedback as a metronome, improved Accessibility integration, 100% Metal powered graphics engine, and more.
Djay is a free download with in-app purchases to unlock all of the Pro features. Check out everything that’s new with Djay 3.2 for iOS and iPadOS below.
Full release notes:
Thank you for using djay! This is a big update that adds enhancements for the next major iOS release, as well as major new features and content:
• NEW: Portrait Mode on iPad (Classic, Automix, 2 Deck, 4 Deck, Single Deck, Video)
• NEW: EQ shortcut button in mixer section on iPad
• NEW: “Files” media source on iOS 13: browse songs directly from iCloud Drive and external storage like USB sticks and hard drives (with USB adapter)
• NEW: Visuals and sound packs
• Added split audio/video crossfader in Video mode
• Added haptic feedback as metronome when recording sampler sequence without playing track on iPhone
• Improved Accessibility integration on iOS 13, e.g. using advanced haptic feedback
• Optimized graphics engine using 100% Metal
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Dj Pro By Algoriddim
• Fixed orientation of videos not being respected in some cases
• Fixed “Grid EQ” visual effect not working
• Bug fixes and performance improvements
Djay 2 Download For Windows
If you enjoy using djay, would you mind taking a moment to write a review on the App Store? Your feedback is greatly appreciated.
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This topic contains 8 replies, has 4 voices, and was last updated by 2 years, 10 months ago.
The SB2 will definetly be quieter then the SX2 there is nothing you can really do about that.
Having the PA mixer is nice because it will boost or dampen the sound as you need it. I’m not familar with the model mixer you have but I can say my Yamaha MG06x is more then sufficient.
Pluses:
1. Small form factor
2. Ability to run main and backup sources with EQ in mono.
3. Ability to run four separate mic or instruments (no EQ) in a pinchOverall I like having a PA mixer to shape the sound and control the bass for my subs remotely and the extra inputs it provides in my mobile setup. I think you could probably get by with a smaller mixer then the one you currently have.
My associates use Soundcraft boards and are very happy with them. I’ve installed the MG10 into a few bars, and while they are solid soundboards and can take a beating, what you currently have is better and the MG10 would be a noticeable downgrade. I’m not as familiar with the A&H 10fx, but A&H generally have an excellent reputation, so you should look up some reviews on that model and see what is said. You may even be able to find some direct comparisons between the two. If those look good to you, ya, consider the swap. Or just keep what you have and be happy. Either should last you a long time.
Now, as to what you want to do with it – yes, a soundboard added to your audio chain is going to help solve pretty much all of the problems you listed. Technically feedback has more to do with the quality of your mic, but with a better sound board you will be able to sculpt the feed from your mics with more detail, and that will help reduce feedback. But ya, anytime someone else is talking on the mic, be ready to adjust. People who aren’t used to it do a horrible job watching their volumes while talking/singing/yelling/sobbing/whatevering… No soundboard is going to fix that. Good luck!
Since Todd and I agree to disagree from time to time, I can safely say this 😀 .
He is right that a (small) PA mixer will solve most, if not all, of your problems mentioned.
He is also right that the Soundcraft mixers are good. It’s a solid brand.
Where I disagree is that the MG-series mixers are a noticeable downgrade. Clearly it is comparing apples and pears, especially the regular MG10 (no FX) to the Signature 10. The latter is a true small band/venue PA mixer. As such it has some more EQ options, like a semi-parametric mid-high EQ an extra aux channel (essential when using stage monitors or outboard FX) and extra aux channel (essential when using stage monitors or outboard FX).The MG-series was designed as a very portable and lightweight solution. It has sacrificed some features, but is a go-to “backpack” option for many sound guys I know if they need to take something with them personally for “quick and dirty” live sound jobs.
So, while feature-wise the Signature is indeed noticeably “better” (as in has more features), when looking at sound quality and ease of use, the MG is a pretty solid contender, imho. The mic pre-amps, which usually are considered the major contributing factor in any PA mixer, are very good in the Yamaha’s and don’t do really have to take significant second place to the Signature.
What is more important though is a) the environment you are using it in and b) the purpose you use it for. For me, the option to hook up a keyboard, a guitar and 1 or 2 MC mics and a stereo backup source (iPhone/iPad for example) is all I need. I don’t need all the extensive features and even EQ. For me it’s a source to control the levels of several pieces of equipment (you can easily boost your SB level to the same level as the SX for example) and keep everything in check.
What I would suggest you look at is the AG-06 from Yamaha though. It offers some features that might interest you. It’s pitched as a hybrid mixer. It incorporates USB sound options (both playback and record) and has a lot of handy features. Is simple to operate, yet with some very handy twists. Not too much by way of FX, but you can set them in your computer, including a separate compressor option. It’s got +48V phantom power should you need it. Guitar input with guitar sim option which allows you to plug in an electric guitar directly! Keyboard input. RCA input with hi/lo gain setting. Level controls for all inputs. Separate aux 3.5mm input for your iPhone or whatever.
Oh, and it’s very compact too. The gave up faders for rotary knobs, but since you are not intending to “do” a band with it, fader-riding is not a big concern.I actually use an AG03 which doubles as my desktop PC external sound card and has my monitors and headphones attached to it. It is totally geared for webcasting too, so if you have any interest in that, it can accommodate that as well.
Again, what you have is fine and if it fits your workflow then go for it. But as I said, I’d give the AG06 a good once-over to see if it could fit your workflow better.
Just my 3 cents as usual.
Disclaimer: I am a fan of the Yamaha’s for the purpose we are talking about, I am not endorsed in any way! LOL
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- This reply was modified 2 years, 10 months ago by Chuck Van Eekelen.
Depends a little on your sub and tops, but most of the time the subs will have L/R inputs, a HPF and L/R outputs. Some subs will have both thru and high pass (hpf) outputs (i.e. 4 XLR outputs), by looking at the picture of yours, it has only two and you need to set the switch for HPF thru/LPF sub to on.
You take the balanced Jacks and go to balanced XLRs to the sub (both L/R), set the sub switch correctly and then XLR thru outputs to XLR input on your tops.
The inputs on line 3/4 (keyboard) are not balanced, but this isn’t usually a problem as the line signal is lots hotter than the mic inputs and thus less sensitive to interference. Also most keyboards don’t have balanced outputs anyway. You can always opt to run a keyboard (if the distance is big) through a DI box.
However, since that input isn’t balanced, you might as well hook up your SX2 from it’s RCA outputs, just like you would the SB. Unless you move more than 6-7 feet away from the mixer, it should be fine. If you were to take a controller to a club you will most likely have to hook up to a house mixer using your RCA anyway.While I love A&H and have worked with several of their mixers, the AG06 and ZED06 are in different universes.
As I said, I use my AG03 on my desk as external USB soundcard for my PC with my KRKs hooked up to it. As you said you don’t gig often, but practice a lot I guess, this could work for you as well.
1 word of caution, only 1 of the two mic channels has phantom power! I don’t really advice using condenser mics in DJ environments anyway, but just so you know, you can only use one condenser. Dynamic mics are no problem obviously. If you don’t need two MC mics, I’d hook my DJ mic up to the Yamaha as well. You will have the compressor option, better EQ (4-channel FULL PARAMETRIC!!! and HPF) and even reverb should you want to use it. Tip: buy a good mic (not necessarily expensive, Rode for example have wonderful mics that run circles around “good ole” Shure SM58s for less money) that has a magnetic on/off switch. That way you don’t have to touch the mixer when you want to say something in the mic. Just flip the switch and off you go.
Lucky for you your realization is not correct 😀
If you look at this picture you will see the RCA connectors (channel 5/6) and matching gain knob (right under the aux connector with the CD icon) on the AG06:
Also for your benefit and the other readers thinking about getting an AG-series mixer, this is the picture of the FX/EQ tool for the AG mixers. It clearly shows the compressor/EQ/FX/Guitar Amp options. It’s pretty exceptional to find this level of setup parameters in such a small mixer. True, you need the PC to make it work, but it’s a small tool and can run background to anything really. Or you can set it the way you like before a gig, hit save and quit the tool. The settings are then stored in the unit. Using the comp/eq and effect and such buttons switches them on and off.
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Djay 2 External Mixer Manual
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